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Gallery of Nativity Figures in Popular Madrilenian Style

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Hey, ...!

Are you from Madrid?

Do you consider yourself a true Madrilenian?

Then, how can you miss the opportunity to set up your own Madrilenian nativity scene?

Stay and explore my web sculpture studio, I'm sure you'll find something that interests or surprises you!

Photographic references of Madrid [1] and "La Gran Vía" [2], music by maestros Federico Chueca [3] and Joaquín Valverde [4] and librettist Felipe Pérez y González [5] premiered at the Teatro Felipe in Madrid on July 2, 1886.

Imagine recreating the streets of Madrid with its people, not just any Madrid, but the vibrant and energetic Castizo, Galdosian, and Modernist Madrid. It is not just a nativity scene; it is a piece of your history, your roots, of who you are. It is an opportunity to see Madrid in its purest essence, through figures that capture the life and bustle of your beloved capital in a time of great social changes and contrasts.

Place them in your nativity scene or your favorite setting; you will feel the pulse of a city that was an epicenter of tradition, literature, and art. Explore my gallery and find that special piece that will move, evoke, and enrich you every day.

Will you be the Madrilenian who misses this tradition? I don't think so. Show your pride for your great city and bring a symbol of Madrid to your home!

The Great Challenge: The Urban Madrilenian Nativity Scene

At the heart of the Christmas tradition is the nativity scene, an artistic representation that evokes the mystery and humility of Jesus' birth. Each culture and region of the world adapts this scene to its own context, enriching it with local stories, characters, and traditions. Why should Madrid be any different? Where are the popular Madrilenian figures that represent its rich history and tradition? In this context, a fascinating and unconventional challenge arises: recreating a nativity scene that captures the essence of Madrid's vibrant and diverse urban life.

This challenge is ambitious as it involves moving away from traditional rural scenes to delve into the dynamism of the city, a task that presents unique artistic complexities. Creating an urban nativity scene requires not only a high degree of technical skill to represent Madrid's architecture and bustle but also a special sensitivity to capture the everyday moments that define the city. If you feel overwhelmed about where to start, don't worry, I'm here to help. Contact me via WhatsApp or email, and together we can make your urban Madrilenian nativity scene a reality.

The project also faces a commercial challenge, as urban nativity figures do not always find the same commercial resonance as traditional ones. Despite the great interest in nativity scenes in Madrid (with 8 Nativity Associations), urban figures are exceptionally reproduced, highlighting the tension between artistic innovation and economic viability. This phenomenon can be seen in the examples of sculptor Luis Buendía (1895-1963) [6], whose original works were not intended for commercial reproduction.

Belén Municipal del Ayuntamiento de Madrid en la Casa de Cisneros
Municipal Nativity Scene of the Madrid City Council in the Casa de Cisneros. 1956. Photograph: Madrid Nativity Scene Association. [7]

Buendía's nativity work was very present in the Christmas of the people of Madrid, being displayed in their museums and occupying their public spaces. However, it has been forgotten by nativity scene criticism and historiography, perhaps for not having made a serial production, if not disdained for being made of plaster. A criticism that the sculptor himself responded to: “It does not matter if the figure is made of clay, wood, cork, or cloth. What difference does it make? The essential thing is that in that symbol, it is faith that moves; and for that, friends and colleagues, the Nativity figures must respond, more than to intelligence, to the heart's beats.” BUENDÍA, L. (1953). “The figure…, ob. cit., pp. 12 and 13.

Reproduction and creation of the nativity work of sculptor Luis Buendía Ruiz (1895-1963) PDF

A small comment: I don't know what 'intelligence' Buendía was referring to, if 90% of nativity scene makers don't know what type of clay was used, at what temperature it was fired, and with what binders and pigments the figures were painted. Could you answer all these questions? This is a typical nativity scene material prejudice that is not necessarily supported by a real understanding of the materials and their impact on the final art. So, instead of talking about intelligence, perhaps we should reconsider our priorities and appreciate more the ability of the works to move our hearts.

Material and immaterial heritage
Nativity Scene. Material and immaterial heritage. 75th anniversary of the Madrid Nativity Scene Association at the National Museum of Decorative Arts

The other example can be seen in the work of nativity scene artist José Luis Mayo (born in 1941), whose 4.3-inch (11 cm) figurines, originally commissioned by the Madrid Nativity Scene Association, some of which are currently available for purchase at 'El Ángel,' a well-known shop in Madrid.

11 cm Nativity by José Luis Mayo in Madrilenian style
11 cm Nativity by José Luis Mayo in Madrilenian style.

He also created the figures for the nativity scene of "The Plaza de los Carros at Christmas," which takes us back to a Christmas of the late 19th century, where the people of Madrid visit a Nativity located in front of the Church of San Andrés and the Museum of San Isidro itself.

Belenes-en-Madrid-2022-Belén-Castizo-en-el-Museo-de-San-Isidro
Figures by José Luis Mayo, Madrilenian style of the late 19th century.>[8]

These two cases reflect the tension between artistic innovation and economic viability, but they also demonstrate that art and tradition can evolve together. Don't you think?

Are you interested in being part of this exciting tradition?

Reviving the Madrilenian Tradition: An Artistic Tribute through the Nativity Scene

My decision to create these nativity figures goes beyond mere economic interest. The true inspiration comes from Madrid itself: its people, its customs, and its deep history. Each character I design requires extensive knowledge of their trade or dedication, a process that allows me to capture their essence and express it in each artistic composition.

Madrid has a special legacy in the history of nativity scenes, initiated by Carlos III, who introduced this art to Spain. He brought a Neapolitan 'Nativity' that was installed in the Buen Retiro Palace and expanded with more than two hundred figures, commissioned to artists José Esteve Bonet [9] and José Ginés Marín [10] for 'El Belén del Príncipe,' intended for Carlos IV. These figures, meticulously sized to offer the correct visual perspective, helped cement the custom of setting up nativity scenes in homes, promoting a tradition embraced by both the popular classes and great sculptors and carvers.

The Neapolitan Nativity Scene of the National Heritage, by María Jesús Herrero [9] [10]

Today, I notice a lack of popular Madrilenian figures in contemporary nativity scenes, and I firmly believe this must be rectified. This project transcends mere economic transaction; it seeks instead the support of patrons and sponsors who value the cultural claim of Madrid and understand the profound artistic value of each figure. The history and people of this great city deserve to be represented and remembered.

This nativity scene is not just a work of art; it is an invitation to rediscover and celebrate Madrid in a completely new and exciting way. Through it, I hope to open a dialogue about the importance of tradition and innovation in Christmas art and foster a renewed appreciation for our rich cultural heritage.

Photographic references and "El chaleco blanco" [11] music by Federico Chueca [12] and librettist Miguel Ramos Carrión [13] and "El Romance de los Pinos" music by Federico Moreno Torroba (1891-1982) [14]

The First Question:

Which Era is the Most Representative of the City of Madrid to Depict in a Nativity Scene?

The Historical and Demographic Context of Madrid

When tackling the challenge of representing Madrid in a nativity scene, I have selected the period between 1875 and 1935 as particularly significant. This era not only marked a profound transformation in the city, evidenced by rapid urban development and cultural flourishing, but also reflects the intensification of urbanization and modernization that characterized Madrid. From having 282,976 inhabitants in 1868, the population grew to 679,000 by 1920 and continued its rise to reach 1,021,000 in 1935, making this interval the ideal setting to capture the essence of Madrid in its time of greatest change and vigor.

This period was marked by technological innovations that transformed Madrid's physical infrastructure and altered the daily rhythm of its citizens, offering new opportunities and challenges. The arrival of the electric tram, the metro, public lighting, and the expansion of the telephone revolutionized daily life and social interactions.

Photographic references and "La revoltosa" [15] music by Ruperto Chapí [16]

Innovation and Culture

At the same time, Madrid experienced a vibrant cultural awakening. Modernist architecture [17] began to change the skyline, while in the arts and theater, especially through the popular zarzuela [18], the social realities of the time were reflected and questioned. Great writers like Benito Pérez Galdós [19], Pedro de Répide [20], Carlos Arniches [21], Ramón Gómez de la Serna [22], Pío Baroja [23], and Narciso Méndez Bringa [24] depicted in their works the complexities of Madrid life, influenced by the diversity and contrasts they observed in the streets.

Social Challenges

The period was characterized by a visible struggle between traditional and emerging classes, marked by growing discontent among the working classes. The differences between the opulent neighborhoods and the densely populated corralas [25] where the lower classes crowded illustrate the social and economic division of the city. This contrast not only provides a dramatic backdrop for our nativity scene but also highlights the resilience and adaptability of the people of Madrid.

Photographic references and "MIRAD AL CIELO" [26] music by Ricardo Boronat Gerardo [27]; Madrilenian Christmas carol Choirs of the Municipal Schools of Madrid (1940)

A Nativity Scene that Tells Stories

Choosing to represent this period in our nativity scene is not just a matter of historical convenience; it is an invitation to explore the duality of Madrid, a city that, despite its structural and social challenges, emerged vibrant and full of hope. Each figure in the collection, from the chestnut seller to the organ grinder, not only symbolizes a traditional trade but also embodies the stories of struggle, solidarity, and renewal that are so relevant in the Christmas spirit.

Celebrating Madrid through the Art of the Nativity Scene

This approach to the Madrilenian nativity scene not only honors Christmas but also celebrates the history of Madrid [28], offering a vivid portrait of a city that has managed to maintain its unbreakable and welcoming spirit, even under the dim light of the Star of Bethlehem. By combining religious tradition with the local and cultural history of Madrid, this nativity scene can transcend its role as a Christmas element to become a true work of art and a means to educate and emotionally connect with viewers, showing them the historical and cultural richness of their city.

Explore and Connect with the History of Madrid

I invite you to discover this unique nativity scene and immerse yourself in the rich history of Madrid. Visit my gallery or contact me to learn more about how these historical representations can enrich your Christmas experience. Do not hesitate to contact me. Together, we can make this Madrilenian nativity scene not only a reality but also a symbol of our cultural heritage. Take the first step today and immerse yourself in the living history of Madrid.

I hope you like the idea!

Immerse Yourself in the Art of Nativity Scene Making Through My Blog

Do you love the art and tradition of nativity scenes? I invite you to discover a world full of creativity, history, and culture in my space dedicated to nativity scenes.

Here you will not only discover the art of figures and nativity scenes representing the birth of Jesus but also find a source of inspiration and guidance to create your own figures and nativity scenes with authenticity and a personal touch. Learn techniques, explore the stories behind each piece, and discover how each detail can take your nativity scene to a new level of meaning and beauty.

Visit the Nativity Scene Blog

In the blog, I share articles and videos that will help you understand and appreciate nativity scene making from a new perspective. Whether you are an art lover, a collector, or someone looking for a way to connect with Christmas traditions, you will find content here that will enrich your experience and provide you with tools for your own projects.

Click here to explore more about the art of nativity scene making and its secrets!

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